However, some photographers prefer to have a slight warm (reddish) or cold (bluish) color cast to match a traditional feel of black and white paper or sepia tone process.Īnother benefit in adding a tone is that it's easier to hold a color tone than a true neutral black and white print. Removing all color from your image guarantees that there is no color cast present in your images. (Optional) Add a color tone (or sepia) to your image Although this is the quickest method, it doesn’t allow for any adjustments and may result in both a loss of contrast and a muddy looking image. You can find this option under Edit > Adjustments > Desaturate. You can also use the eyedroppers (circled in screenshot) to select the highlight and shadow areas of your image for better contrast control. Just grab the curve either in the middle or slightly to the left of middle and pull up. You can use this same technique to lighten up dark areas overall or to improve the mid-tone range of you images if they are too dark. You can also do this as an adjustment layer.īy using an S-shaped curve, you can improve contrast by darkening the shadows and lightening the highlights. You can add contrast to your image by applying a slight S-curve to your images. Increasing ContrastĪ common issue with color to black and white conversion is a loss of contrast. By adjusting the sliders or choosing a preset you'll see a real-time preview of your changes. Using the Black and White AdjustmentĮdit > Adjustments > Black and White. You'll get the best results from the Black and White adjustment. Also, do not simply change the image mode to grayscale. Although the desaturate option can be used, it’s not recommended due to its lack of control. To convert color images to black and white we recommend using the Black and White function – available in newer versions of Photoshop via Image > Adjustments > Black & White. You should always use dither if your image contains large areas of subtle gradations.
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